| ign="center"> | | | | use the Edit Original command to make a quick |
| Tell your story with maximum impact using | | | | change to the sequence. Any changes you make |
| Adobe Premiere Pro CS4 software, the | | | | in Adobe Premiere Pro are automatically reflected |
| start-to-finish solution for video production that | | | | in Encore. Encore also reads chapter markers |
| includes Adobe OnLocation CS4 and Encore CS4 | | | | from the sequence, making it easy to set DVD |
| software. Save time with a tapeless workflow, | | | | chapter markers in the Adobe Premiere Pro |
| project intelligence with new XMP metadata | | | | Timeline. |
| support, dozens of editing enhancements, and | | | | * Copy and paste text between Adobe |
| tight integration with other Adobe software. | | | | applications. Achieve the same look for text in |
| Reach a wide audience by delivering your content | | | | multiple deliverable formats. Exchange text by |
| to virtually any screen. | | | | copying and pasting it between other Adobe |
| The completely redesigned interface puts control | | | | Creative Suite 4 software and the Adobe |
| of all functions on a single screen and features the | | | | Premiere Pro titler. The text retains all supported |
| familiar look and feel of other Adobe creative | | | | formatting, including font, spacing, and styles. |
| applications. Click to enlarge. | | | | For the utmost Adobe Creative Suite |
| Capture, edit, and deliver video online, on air, on | | | | integration--including expanded Dynamic Link |
| disc, or on device | | | | functionality--turn to Adobe Creative Suite 4 |
| Efficient tools for creative editing | | | | Production Premium, which combines After |
| Create high-quality visual and editorial effects | | | | Effects CS4, Adobe Photoshop CS4 Extended, |
| directly within the editing timeline. Edit faster with | | | | Adobe Illustrator CS4, and Adobe Flash CS4 |
| powerful editing tools that give you precise | | | | Professional software. |
| control and real-time feedback. Add color | | | | Enhanced editing efficiency |
| correction and other effects, audio filters, and | | | | Work faster with powerful and flexible editing |
| more. | | | | enhancements. Adobe Premiere Pro CS4 includes |
| Comprehensive video format compatibility | | | | over 50 of the most requested editing |
| Work with virtually any video format thanks to | | | | enhancements that streamline your workflow. |
| native editing support for DV, HDV, Sony | | | | Display search results quickly. Apply effects to |
| XDCAM, XDCAM EX, Panasonic P2, and AVCHD. | | | | multiple selections, get timecode information |
| Add uncompressed SD and HD acquisition with | | | | faster, speed up work in the Timeline with new |
| hardware cards from third-party vendors. | | | | keyboard shortcuts, and much more. |
| DVD, Blu-ray Disc, and interactive SWF output | | | | Powerful management of projects, sequences, |
| with included Adobe Encore CS4 | | | | and clips |
| Author once and deliver to three formats: Create | | | | Find content quickly and efficiently by typing what |
| DVDs, high-definition Blu-ray discs with pop-up | | | | you're looking for into the Search box in the |
| menus, and interactive web versions of your | | | | Effects, Project, or Metadata panel, and see |
| content with Adobe Encore CS4 software, | | | | results update instantly as you type. Manage |
| included with Adobe Premiere Pro CS4. | | | | projects more efficiently by saving file-location |
| Dynamic workflow with other Adobe tools | | | | preferences on a per-project basis, making it |
| Achieve a high level of productivity from | | | | easier to set up partitions for particular projects. |
| production to delivery with the tightly integrated | | | | Update assets in your project quickly as newer |
| toolset in Adobe Premiere Pro CS4. Eliminate | | | | versions become available by replacing files in the |
| intermediate rendering when moving sequences | | | | Project panel; when replacing assets, all clip |
| into Encore CS4, and take advantage of new | | | | instances of that media update automatically. |
| support for Adobe Photoshop files with video and | | | | Combine content from multiple projects easily |
| blend modes. | | | | with the ability to import sequences from other |
| Direct-to-disk recording and on-set monitoring with | | | | projects. Choose any combination of sequences |
| included Adobe OnLocation CS4 | | | | to import; Adobe Premiere Pro includes all nested |
| Record directly to disk and maximize camera | | | | sequences, helping to ensure that all content is |
| image quality using software-based waveform | | | | imported successfully. |
| and vectorscope tools to quickly calibrate your | | | | Pick up projects where you left them, without |
| camera, check levels, and monitor your signal. | | | | having to adjust the user interface--the |
| Organize shots using metadata logged during the | | | | workspace configuration is saved with each |
| shoot. | | | | project, making it easy to work efficiently. You |
| End-to-end metadata workflow | | | | can now select any combination of sequences for |
| Easily add metadata to clips both on set with | | | | trimming, to avoid trimming redundant content in |
| Adobe OnLocation and while editing using Adobe | | | | the Project Manager. Only the portions of the |
| Premiere Pro, for greater project intelligence. Use | | | | offline clips used in a sequence are included in the |
| speech recognition technology to create | | | | trimmed project, so when you subsequently |
| text-based metadata that helps you organize and | | | | recapture the offline clips, only the portions used |
| find your assets more efficiently during editing. | | | | are recaptured. Mix content even more freely in |
| Finally, pass the metadata through export for | | | | your project with different editing and rendering |
| publishing to the web, enabling searchable video | | | | settings for each sequence in your project; |
| and helping to unlock new revenue streams. | | | | manage your assets easily by collecting all |
| Speech Search | | | | sequences into a single project; and output |
| Turn spoken dialogue into text-based, | | | | multiple versions from HD masters quickly using |
| timecode-accurate, searchable metadata. Jump to | | | | nested sequences with different settings. |
| a specific area of a shot by searching for | | | | Create workspace configurations using |
| keywords within the dialogue, and then use | | | | Project-panel column configurations optimized for |
| keywords to quickly locate and display what | | | | the task at hand. For example, set up different |
| you're looking for--or even cut video based on | | | | columns for logging and for editing. |
| the script. | | | | Adobe Premiere Pro CS4 lets you delete individual |
| Delivery to the web and mobile devices | | | | preview files, making it easy to reclaim disk space. |
| Deliver video in a variety of formats for viewing | | | | Keep the preview files you need, and discard the |
| on air and on DVD, online and offline with Adobe | | | | ones you don't. |
| Flash Player and Adobe Media Player software, | | | | Superior editing control |
| and on mobile devices with Adobe Flash Lite | | | | Use Track Sync Lock controls to select which |
| software. | | | | tracks remain in sync after ripple and insert edits. |
| Accelerated client review and approval with | | | | Display source content of clips, route channels to |
| Adobe Clip Notes | | | | specific destination tracks in the Timeline, and |
| Expedite review cycles and avoid | | | | toggle video or audio channels on or off as |
| miscommunication by using Adobe Clip Notes. | | | | needed with source-content controls. Place clips |
| Embed video into a PDF file. Then e-mail the file | | | | exactly where you want them when dragging to |
| to clients to add timecode-specific comments that | | | | the Timeline. Innovative ways to target audio and |
| map to the Adobe Premiere Pro timeline. | | | | video tracks provide multiple methods to control |
| Resource Central | | | | clip placement, saving you time and preserving the |
| Access product-related news and tutorials online | | | | placement of other clips in the Timeline. Drag and |
| by using the Resource Central panel in Adobe | | | | drop video- or audio-only portions of clips onto |
| Premiere Pro and Encore. | | | | any combination of compatible destination tracks. |
| Top new features of Adobe Premiere Pro CS 4 | | | | Timesaving editing enhancements |
| Adobe Premiere Pro CS4 features enhancements, | | | | When you paste multiple clips into the Timeline, |
| such as support for the latest tapeless cameras, | | | | the playhead jumps to the end of the pasted clip |
| advanced metadata management, batch encoding, | | | | so that subsequent clips are placed directly after, |
| and tighter-than-ever integration, that save you | | | | saving you time. Create new subclips quickly and |
| time. In addition, industry-leading Blu-ray Disc | | | | easily by simply dragging content directly from |
| authoring and the ability to output to any screen | | | | the Timeline to the Project panel. Place |
| help you reach the widest audience. Listed here | | | | keyframes precisely within the Effect Controls |
| are the most significant new features found in | | | | panel. As you move them, keyframes snap to |
| Adobe Premiere Pro CS4. | | | | sequence markers, the playhead, clip edges, or |
| Adobe OnLocation CS4 gives you an impressive | | | | other video or audio keyframes. This makes it |
| array of production tools to help you shoot better | | | | simple to align new keyframes with existing ones. |
| and faster while saving time and money. Click to | | | | Use vertical snapping to keep clips in sync when |
| enlarge. | | | | moving them between tracks. Easily apply the |
| Next-generation tapeless camera support | | | | same transition to multiple items in your project |
| Capturing video directly to disk opens the door to | | | | by copying and pasting the transition. Adobe |
| exciting new workflows that save time and | | | | Premiere Pro CS4 applies all transition information, |
| maintain the highest quality throughout the entire | | | | while maintaining destination attributes such as |
| production process. Adobe Premiere Pro CS4 is | | | | transition duration. |
| designed to exploit the full power inherent in | | | | Use smart zoom features in the Timeline to |
| tapeless workflows. Direct-to-disk recording | | | | switch quickly between detailed and global views |
| eliminates the time-consuming capture-from-tape, | | | | of your content. Simply press a key to zoom the |
| media-ingest phase of post-production. | | | | Timeline to show the entire contents of your |
| Adobe Premiere Pro offers comprehensive | | | | sequence, and then press another to return to |
| video-format support, from DV to HD and | | | | the previous zoom level. |
| beyond. Full support for a variety of tapeless | | | | Quickly clear all effects from one or multiple |
| cameras and media lets you work with them | | | | selected clips using a single command. |
| natively to achieve the fastest workflow from | | | | More options with multiple selections |
| capture to edit, retaining the pristine quality of | | | | Create commonly used combinations of effects |
| your source material by eliminating | | | | and save them in a single preset for easy reuse. |
| time-consuming transcoding or rewrapping. | | | | The ability to apply effects to multiple clips in a |
| You can import and natively edit content from | | | | single action helps you work more efficiently. |
| Panasonic P2 cameras in DVCPRO, DVCPROHD, | | | | Make speed/duration adjustments to multiple clips |
| and AVC-Intra formats, and across multiple P2 | | | | simultaneously, saving significant time when |
| cards. Similarly, you can import and edit content | | | | working with large numbers of clips. You can |
| from Sony XDCAM EX and XDCAM HD cameras | | | | work more productively when using transitions by |
| directly, without rewrapping or transcoding. | | | | applying the default transition to multiple selected |
| Access the footage you want before you import | | | | clips with a single command. Apply audio-gain |
| it by viewing camera metadata and organizing files | | | | settings to multiple selected clips in a single action, |
| in the Media Browser. You can also edit directly | | | | without having to repeat for each item. |
| from the P2 card via the camera or a card | | | | Precise audio control |
| reader, the SxS card by way of the camera or a | | | | Finding specific sonic events in your audio |
| card reader (XDCAM EX only), or use the Media | | | | tracks--for example, the start of a sentence, a |
| Browser to transfer content to hard disk for | | | | car door slamming, or the downbeat in your |
| better performance. | | | | soundtrack--is often a simple matter of looking |
| Batch encoding | | | | for peaks and valleys in their waveforms. New |
| With the explosion of video on the Internet, | | | | features in Adobe Premiere Pro CS4 let you view |
| there's been a massive shift in how people | | | | audio waveforms in more detail in the Source |
| consume video entertainment. Whether you post | | | | Monitor. Zoom both channels independently or |
| dailies on a password-protected website for | | | | together. Navigate with precision within the Source |
| review and approval, produce episodic shows for | | | | Monitor when working with audio-only clips. Use |
| viewing online or on iPods, or distribute films by | | | | the playhead to scrub the waveform directly. |
| way of an enterprise-level video-on-demand | | | | Change batch capture behavior easily by setting |
| service, being able to efficiently deliver your | | | | and adjusting audio-channel mapping for offline |
| content in a variety of formats is crucial. Adobe | | | | clips at any time, when or after they are created. |
| Media Encoder, a separate software application | | | | You can also recapture offline clips as audio-only |
| included with Adobe Premiere Pro CS4, saves you | | | | or video-only by changing recapture settings for |
| time by automating the process of creating | | | | offline clips, without having to recapture them |
| multiple encoded versions of your source files and | | | | first. |
| Adobe Premiere Pro sequences. Set up multiple | | | | Robust timecode display |
| items for encoding, manage priorities, and control | | | | Precise editing and communication with clients are |
| advanced settings for each item individually. | | | | facilitated by timecode. Whether you're working |
| Adobe Media Encoder also encodes compositions | | | | with news footage gathered in the field, telecined |
| from Adobe After Effects software when it's | | | | film footage, or clips shot on a camcorder that |
| installed as a component of Adobe Creative Suite | | | | supports timecode only by way of an accessory |
| 4 Production Premium. Use any combination of | | | | pack, Adobe Premiere Pro CS4 offers you a |
| sequences and clips as sources, and encode to a | | | | variety of ways to display timecode. The |
| wide variety of video formats, including FLV and | | | | source-media timecode display format acts as the |
| F4V, Windows Media, MPEG-2, H.264, QuickTime, | | | | default in both the Project panel and Source |
| and more. | | | | Monitor. If there is no timecode or frame rate |
| Optimized encoding for mobile devices | | | | associated with the media--say if it's a still graphic |
| Keeping track of video-enabled cell phone and | | | | or was shot on a camera that doesn't record |
| mobile device capabilities is no small task. Device | | | | timecode--Adobe Premiere Pro will use the format |
| Central puts the latest mobile device profiles at | | | | specified in the Project Settings dialog box. You |
| your fingertips through a dynamically updated | | | | can display SMPTE-style timecode or frame-count |
| online device library. Device Central lets you test | | | | timecode that you can set to start at frame 0 or |
| and preview what your work will look like on an | | | | 1. |
| extensive selection of devices under a variety of | | | | Place items in the Timeline with timecode |
| simulated real-life conditions. This lets you can | | | | accuracy by dragging and dropping them. See |
| make intelligent design decisions without having to | | | | up-to-date timecode information in the Info panel |
| go through a time-consuming trial and error | | | | as you drag clips. Choose the appropriate |
| process, and deliver engaging experiences to | | | | timecode display mode separately for each |
| billions of mobile subscribers. | | | | sequence in your project. Use any supported |
| Improved Adobe integration | | | | timecode format as the timecode display mode in |
| Sharing media between pre- and post-production | | | | the Timeline, Info panel, and Timecode controls. |
| software tools used to require you to render | | | | View source-media information for clips in the |
| your work in one application before importing it | | | | Timeline using the Info panel. |
| into another, which was an inefficient and | | | | Enhanced keyboard-driven workflow |
| time-consuming process. If you needed to make | | | | Point-and-click, mouse-based operation is a simple |
| changes, you had to make them in the original | | | | and easy way to learn new software. But |
| application and re-render the asset. Innovative | | | | experienced users want to navigate and control |
| Adobe Dynamic Link, previously available only in | | | | their tools as quickly and efficiently as possible. |
| Adobe Creative Suite Production Premium, | | | | Adobe Premiere Pro CS4 offers complete, |
| streamlines this process. Dynamic Link eliminates | | | | mouseless operation via customizable keyboard |
| the need for intermediate rendering by creating a | | | | shortcuts, to help you focus on being creative. |
| direct link between new or existing assets in | | | | Use keyboard shortcuts to browse through clips |
| Adobe Premiere Pro CS4 and Encore CS4. | | | | loaded in the Source Monitor tab and to save time |
| Changes made in Adobe Premiere Pro such as | | | | when moving to the start and end of clips in the |
| color corrections and so on are immediately | | | | Effect Controls panel. Jump to the start and end |
| reflected in Encore. | | | | of clips in the Timeline using dedicated shortcuts |
| With new Adobe Premiere Pro integration in | | | | that make clip navigation easy. You can assign |
| Adobe OnLocation, you can send entire shotlists | | | | shortcuts to mark clips more quickly and to cycle |
| directly to Adobe Premiere Pro along with all the | | | | forward and backward through all the panels in |
| metadata-based project intelligencethat was | | | | the Adobe Premiere Pro CS4 user interface. |
| logged during the shoot. | | | | Direct-to-disk recording with cross-platform, |
| Other integration enhancements in Adobe | | | | redesigned Adobe OnLocation CS4 |
| Premiere Pro CS4 include: | | | | Adobe OnLocation CS4 gives you an impressive |
| * Flexible Photoshop layer options. Control exactly | | | | array of production tools to help you shoot better |
| how Photoshop files look when imported into | | | | and faster while saving time and money. You can |
| Adobe Premiere Pro. Preview all layers, choose | | | | produce superior-quality results from your video |
| which layers to import, and then choose how to | | | | camera. Quickly calibrate the camera, monitor |
| import them--as individual layers, merged, or as a | | | | your footage, and check video levels by using |
| sequence. | | | | your workstation or laptop as a virtual (and |
| * Support for Photoshop files with video. Avoid | | | | lightweight) video reference monitor. See what |
| the extra rendering step from Adobe Photoshop | | | | you can't see on a camera's small LCD viewfinder |
| when importing PSD files that contain video. | | | | or flip-out screen, and use the comprehensive |
| Simply import the files and use them just like any | | | | software waveform monitor and vectorscope as |
| other video clip in the Timeline. | | | | well as the audio spectrum analyzer to identify |
| * Support for Photoshop blending modes. Match | | | | and correct image and audio problems before |
| your favorite looks from Photoshop by applying | | | | committing to videotape and hard disk. |
| Photoshop blending modes to clips on the Adobe | | | | Shooting and capturing video directly to disk lets |
| Premiere Pro Timeline. Blending modes are | | | | you record a two-hour event as a single clip, or |
| available for all clips, and are fully keyframeable. | | | | shoot as many takes of a scene as your actors |
| When importing Photoshop PSD files, blending | | | | need to get it right--no changing tapes, no |
| modes are automatically carried over into Adobe | | | | solid-state memory time limits, no missed action. |
| Premiere Pro. | | | | It's a director's dream come true, but in the edit |
| * Dynamic Link to Encore. Save time by sending | | | | suite, finding that one perfect take among dozens |
| sequences directly from Adobe Premiere Pro CS4 | | | | can be problematic. Metadatabased project |
| to Adobe Encore CS4, where they open | | | | intelligence and the new Shot List panel let you |
| immediately without rendering. From within Encore, | | | | take control of this situation. |
| open Adobe Premiere Pro sequences, and then | | | | |